(October 20, 1838 - May 2, 1915), was an American artist. David Dalhoff Neal was born to father Stephen Bryant Neal and mother Mary (Dalhoff) Neal, on Middlesex Street, in Lowell, Massachusetts. His grandparents were Stephen Neal, and David Dalhoff and Sally (Bean) Dalhoff of Canterbury, New Hampshire, Dolhoffs that emigrated from Russia in 1763, for whom he was named. His mother's family, the Beans, migrated from Holland in the early 1830s. His aunt Elizabeth Dolhoff was very artistic, and his uncle Jesse Dolhoff was a great singer. He attended Lowell grammar schools, and high school at Lawrence, Massachusetts. Deciding to devote himself to the study of art, he then attended art classes at the recently opened Andover Academy in Andover, New Hampshire. When Neal was 14, his father died and his fortunes were "impaired", so he set sail for New Orleans. Here at the age of 15, he worked the docks as a wharf clerk with a wood shipping firm dealing in Brazilian and Honduran mahogany.  Related Paintings of David Dalhoff Neal :. | After-the-hunt | Canvas painting | Portrait of james-savage | CromwellVisitsMrJohn-Milton | INTERIOR OF ST.MARKS,VENICE |
Related Artists:
Jean Pucelle
French Gothic Era Manuscript Illuminator, ca.1300-1355 was a Parisian Gothic-era manuscript illuminator, active between 1320 and 1350. His style is characterized by delicate figures rendered in grisaille, accented with touches of color. Pucelle's most famous work is the The Hours of Jeanne d'Evreux, c. 1324-1328.
Jacques-Francois Ochard
was a French artist, remembered as the first art teacher of Claude Monet at his high school. Ochard had been a student of Jacques-Louis David (1748-1825), and lived in Normandy, to where Monet's family had moved in 1845. Ochard's method of instruction was the traditional one of drawing from plaster casts of the human figure.
Hirshfield Morris
American artist 1872-1946 American painter of Russian-Polish origin. He claimed to have carved wooden ceremonial objects as a young boy, but ceased to create until he retired from his clothing manufacturing concern and began to paint. When Sidney Janis was arranging an exhibition of American folk art for MOMA in 1939, he saw Hirshfield's naive works in a gallery in New York. He exhibited two in the show and organized a one-man show for the artist in 1943; he also purchased two works, including Beach Girl (1937; New York, MOMA). In such paintings Hirshfield based large areas of the overall design on the fabrics with which he worked during his years in business, and his outlined forms on the art of patternmaking.